A half step is just one note up, so we go from A to A♯-which is also called B♭. Now we come to the half-step: W W H W W W H. The next interval is a whole-step: W W H W W W H. The second note of our scale is G! Here’s what we have so far: It’s a whole-step (W), which means we go up two notes from F. To get our second note, we’ll look to the first interval: W W H W W W H. If you’re unfamiliar with all these Ws and Hs, you’ll see what they mean below! For the major scale, that’s W W H W W W H. As you may have learned from Waay, the notes in a scale are separated by a series of whole steps (W) and half-steps (H). Let’s start by looking at the F major scale. As long as you follow this rule, you’ll pick the right accidental (i.e., sharp or flat) every time. When building a major scale, natural minor scale, or any of the other modes, remember one thing: don’t skip or repeat any letters. We’ll jump right to the “rule of thumb” and then do an example. Yes, it does matter! But the good news is that it’s an easy question to answer. But there’s a common question that comes up: how do we know when to use a flat (♭)? How do we know when to use a sharp (♯)? And does it matter? Building scales using intervals is one of the fundamental music theory skills you’ll learn in Waay.
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